In the final episode on the story of Greek Theatre a further fleshing out of three big subjects in Ancient Greek theatre – The Mask, The Theatre Buildings and The audience.
The podcast will then take a short break before we start on the Roman theatre in season 2. Thanks for coming with me through the story of Greek theatre and the meantime please review, rate and like the podcast wherever you listen from so more theatre and history lowing people can find us.
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In the penultimate episode on the story of Greek Theatre a look at the final years of Greek tragedy and comedy and the Athenian festivals. Then some thoughts on the development of Mime as a dramatic form and notes on our sources.
The Satyr play is one of the most enigmatic elements of Ancient Greek drama and we have few surviving examples of it. A look at the stories it told, its development and it’s place in the story of Ancient Greek theatre.
The Hellenistic world moves on into a period of domination first by Sparta and then by Macedon, but theatre survives and thrives as New Comedy. Our view of how that development progressed is entwined with the life of Menander who is the only representative poet for this period.
Perhaps the best known of the comedies by Aristophanes Lysistrata imagines a world where women take control in an attempt to force and end the Peloponnesian war. It is sex comedy with a message as the Athenian golden age nears the end.
Aristophanes takes a dig at the Athenian legal system and the city leaders who use it to their own ends. The system was part of the democratic process that Athens was still hanging on to despite the rigours of the Peloponnesian war. Citizens took part in the legal process with the same vigour that they displayed when voting or debating. From street crime to murder, how were the criminals judged and punished?
Aristophanes took a wry look at the art of philosophy that had become very trendy in Athens. In particular he pokes fun at Socrates and his philosophical method as a father and son try to escape their mounting debts. It’s a funny story, but had a bitter twist for Socrates.
The story of the life, times and plays of Aristophanes, the creator of the only complete plays that we have from the genre of ‘old comedy’. He lived in Athens during the turbulent times of the Peloponnesian war and used satire and comedy to criticise the war leaders and Athenian society.
Dionysus takes centre stage in a fantasy of mad women and cross dressing kings. The last and strangest play by Euripides it was a return to tragedy by this ever inventive poet, but unlike anything else that had been seen before.
A deep dive into the Euripides version of the story of Electra and her revenge on her mother. Euripides gets down to a more human level while still injecting passages of polemic, but we can also start to get elements of realism and sibling heroes who are not quite heroic enough.
A deep dive into one of Euripides’ greatest plays. Is it pure melodrama, a polemic on the rights and treatment of women, or one of the greatest tragedies ever written? As ever Euripides splits opinion.
The story of the death of Oedipus was Sophocles’ last work and puts the role of the Greek hero into a new light. We travel to Colonus, the home town of the playwright, to see the end of Oedipus’ troubled life.
We travel back into the heart of the Oedipus myth with Sophocles’ interpretation of this dark story. Seen by many as his greatest work it is a dark tale of unwitting patricide and incest that relentlessly leads to tragedy.
A detailed look at the first of the Theban plays by Sophocles. Greek drama gets personal as the end of a great family drama is acted out, but it’s also a political debate as Sophocles questions what happens when man made law bumps up against natural law.
The life of Sophocles almost spanned the 5th Century BCE and included events from the defeat of the Persian invasion to the relentless grind of the Peloponnesian wars. We look at his life and times and get an overview of the surviving plays and theatrical innovations the he created.