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Feb. 3, 2025
The Development of Roman Theatre: A Reprised Conversation with Dr Elodie Palliard
Episode 154
As you know form last week’s episode I’m running a short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon. Today’s episode is a repeat of episode 30 of the podcast, first released in late 2020. At the time I was discussing the early theatre of Rome and with the Ancient Greek theatre already under my belt I had started to reach out to academics and authors who could add depth and colour to the research that I had been able to do. This episode with Dr Elodie Palliard was, I thought, particularly helpful in describing the likely developments in theatre in the murky period between the end of recorded Athenian theatre and early Roman theatre. It is, I think, worthy of another listen if you heard it at the time, or a first listen if you have only joined us for the later theatrical periods.
Dr Elodie Paillard is currently an Honorary Associate in the Department of Classics and Ancient History at the University of Sydney, and a Partner Investigator in the Australian Research Council discovery project 'Theatre and Autocracy in Ancient Greece'. She is also a Project Leader at the University of Basel, financed by the Swiss National Science Foundation. After completing a PhD thesis on the staging of socio-political groups in Sophocles, and a postdoc on Greek theatre in Early Imperial Rome and Campania, Elodie is now working on Greek theatre in Republican Italy (500-27BC). She is also a member of the editorial board of the journal Mediterranean Archaeology.
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Elodie Palliard
Dr
Elodie Paillard is Honorary Associate in the Department of Classics and Ancient History at the University of Sydney and lecturer/scientific collaborator in the Department of Ancient Civilizations at the University of Basel. She is currently leading a research project on Greek theatre in Roman Italy, funded by the Swiss National Science Foundation. She is the author of The Stage and the City. Non-élite Characters in the Tragedies of Sophocles (Paris 2017).
She is currently co-editing two forthcoming collective volumes, one on Greek Theatre and Metatheatre: Definitions, Problems, Limits, which was published in November 2021, and one on Theatre and Autocracy in the Ancient World. In parallel to her interest in ancient Greek theatre, she is also working on the social structure of Classical Athens and the emergence of democracy.